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CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS
DISPONIBLES |
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* descuento del 10% para
pedidos de este listado recibidos hasta el 06 -
septiembre - 2024 inclusive |
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* solo en referencias con
el descuento aplicado * |
PRE-PEDIDOS: 30 - AGOSTO - 2024 |
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LA VIDA ES UN MUS |
JJ AND THE A'S - EYEBALLER |
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MUS294 |
7" |
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PUNK / HARDCORE |
Release: 15 - March - 2024 |
GBR |
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JJ And the A's offer up their
second release with four new songs to work their way into your earholes. Not
lost on this recording is the band's hardcore delivery mixed with KBD
undercurrents from the first EP. They have added a hint of melody in these songs
which harkens back to early SoCal punk à la T.S.O.L., Adolescents, and Red
Cross. Through the wash of sound the organ soaked in fuzz makes me think they
could have been listening to Electric Prunes or Oblivions sloshing around in
some drunken party thinking up riffs. The soulful vocals are modern in the
delivery, but also reminiscent of garage favorites Detroit Cobras in depth
and character. The end result is a mashup of punk, garage, and underlying
hardcore that is electrifying, raucous, and instantly enjoyable |
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SEXBEAT |
VIRALS - MAGIC HAPPENS |
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7,02
€ |
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SEXBEAT9 |
7" |
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POP / ROCK / INDIE |
Release: 30 - January - 2012 |
GBR |
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| RE-STOCK | |
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This is the newest project from
Shaun Hencher who may well have appeared in your life before with Lovvers,
Kamikarzee, Tera Tora, The Murder of Rosa Luxembourg or a plethora of
influential bands prior to that. However both Magic Happens and Comes The Night
brim with a sense of effortless melody that kinda reminds us of The Nerves or
something, brash, infectious, FUN. all the everything that a fine pop song
should be. These songs will lodge themselves into your brain.in the best
possible way. Magic Happens and Come The Night were written and recorded
throughout the Summer 2011 in his hometown of Worcester with Shaun performing
everything on there (except drums). He also designed the artwork too, which
was then laid out by illustrator / designer Stephen Cheetham |
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SUBTERFUGE |
ALFONSO SANTISTEBAN - VERANO DEL
72 |
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SUB211108 |
LP |
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LATIN / BOSSANOVA / EAASY-LISTENING |
Release: 1971 / Repress: 2024 |
ESP |
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| REPRESS | Orange Vinyl | |
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"Verano del 72", un
compendio de composiciones de Alfonso Santisteban, que rapidamente se
convirtio un disco de culto |
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TEE PEE |
TITAN - A RAINING SUN OF LIGHT
& LOVE , FOR YOU & YOU & YOU... |
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17,10
€ |
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TPE74 |
LP |
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ROCK / PROGRESSIVE / STONER / KRAUTROCK |
Release: 06 - February - 2007 |
USA |
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| RE-STOCK | Gatefold | |
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Banda de Brooklyn, NY que edita
este su primer álbum grabado en un estudio (previamente contaban convarias
grabaciones caseras) por Steve Revitte (Black Dice, Liars, Jimmy Eat World).
Colección de cuatro piezas de rock progresivo y muy metido en las improvisaciones
con grandes ideas y momentos ambientales muy intensos. Editado por Tee Pee
con portada doble |
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TRES SELOS
PARALELO |
TOM ZE - TODOS OS OLHOS |
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19,89
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TSPL34 |
LP |
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WORLD / MPB / EXPERIM. / TROPICALISM |
Release: 1973 / Repress: 2022 |
BRA |
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| RE-STOCK | Last Copies | 180 grams | Gatefold
| Remastered | |
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Reissued
for the first time outside of Brazil, Todos Os Olhos is one of the most
important Brazilian records of all time. Tom Zé is considered the most
"paulista" of all Tropicalistas. He came from Bahia, but his wry
urban poetry, infused with the uncomfortable sounds of the largest metropolis
of South America, is pure Sao Paulo. The tracks "Complexo de
Epico", "Cademar", "Um "OH" e um
"AH"", "Augusta, Angelica e Consolacao" and "O
Riso e a Faca were included in "Brazil Classics 4: The Best Of Tom
Zé", compiled by David Byrne and released by Luaka Bop in 1990. This
reissue includes unseen photos, new testimonials from Tom Ze' himself and a
lengthy article signed by Bento Araujo, author of the book series Lindo Sonho
Delirante. Todos os Olhos is one of the most emblematic and essential records
of the confrontational music of Brazil. By denouncing, criticizing, and
mocking the trend of "heroes" who made "protest music" at
the time, Tom Ze' signed his eremitic letter of exclusion but not without
"contest the contestation". Excommunicated from the MPB and even
from Tropicalia, in Todos os Olhos Tom Ze' presented, with a lot of courage,
an unusualway of fight Brazil's military dictatorship. All that would be
later triggered in Tom Ze's career is here, always ready for a new
rediscovery |
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PAN-AM TRACKS |
DVS NME & KRYPTON 81 - THE
ENDLESS PATTERN |
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35,91
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PANAM005 |
2LP |
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ELECTRO / SLOW / AMBIENT / CHILL-OUT |
Release: 30 - September - 2024 |
USA |
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Excellent robotic electro(nix) as
Pan-Am Tracks welcomes DVS NME and Krypton 81 with this ambitious project
that pays homage to German Electro producer Das Muster. Both artists set the
tone with intricate rhythms and analogue warmth. Pulsating basslines and
shimmering synths intertwine, creating a vibrant, futuristic soundscape. This
dynamic interplay between the two artists continues throughout the album, as
DVS NME and Krypton 81 counterpoint each others explorations into the sound.
A sonic trip that will surely resonate with fans of the genre |
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HEAVY PSYCH SOUNDS |
THE SONIC DAWN - PHANTOM |
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20,61
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HPSLP305 |
LP |
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ROCK / PSYCHEDELIC / ACID-ROCK |
Release: 10 - May - 2024 |
ITA |
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PHANTOM'
is the fifth album by The Sonic Dawn, unfolding as a journey through 10 acid
rock tracks that absorb the impressions of a world gone mad |
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DEAR BOSS |
BUCKINGHAM NICKS - BEFORE THE
GLITTER FADED: RARE DEMOS 1973/1974 |
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19,80
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JACK56 |
LP |
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WORLD / FOLK / COUNTRY / BLUES / ROCK / 60s70s |
Release: 19 - April - 2024 |
EUR |
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| Compilation | Unofficial Release | |
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This
was the website description of this record: Lindsey Buckingham and Stevie
Nicks didn’t just emerge out of complete obscurity when they joined Fleetwood
Mac in 1975. The pair had previously released their only studio album
together in September 1973. As a complement to that record, a series of demos
recorded by the duo also exist, often titled the Coffee Plant Demos. The two
were writing songs together and recording at night in Daly City on a
half-inch four-track Ampex tape machine, which Buckingham kept at the coffee
roasting plant belonging to his father. There isn’t a single song on the tape
which features on the Buckingham Nicks album, so this set of very strong
material can be seen as the de-facto Buckingham Nicks debut. Also featured
here, are the Cathouse Blues Demos, recorded by Nicks in the early 70s
without Buckingham. Again this material is wonderfully well-crafted, with
certain songs later seeing the light of day as either Fleetwood Mac tracks,
or on Stevie’s solo albums as fully formed studio versions. These recordings
remain cherished among fans as a rare treasure, offering a glimpse into the
early days of two iconic musicians before they embarked on their legendary
careers with Fleetwood Mac. These demos serve as a testament to the artistic
chemistry of the duo |
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MAD BUTCHER
CLASSICS |
THE EXPELLED - NO LIFE NO FUTURE
EP |
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10,98
€ |
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MBC163 |
7" |
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PUNK |
Release: 1982 / Repress: 2022 |
DEU |
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| RE-STOCK | |
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Originally dating back to 1983
and offering three tracks, the second 7-inch by the popular punk band from
Yorkshire |
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MUNSTER |
STIV BATORS - DISCONNECTED |
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MR456 |
LP |
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ROCK / POWER-POP / PUNK |
Release: 1980 / Repress: 2024 |
ESP |
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| REPRESS | + 2 Bonus Tracks | |
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Originally released in 1980, this
was Stiv Bators' first solo album. Now reissued with 2 bonus tracks, not
available on the original version, a slightly different picture on the cover
(the actual unfiltered photo as used on the 1980 issue) and a booklet with
extensive liner notes and photos. Bators was the man who destroyed Rocket
from the Tombs, from which he hijacked half the members to found one of the
most influential American punk bands to have existed, The Dead Boys. Stiv had
turned in his broken teeth for a more power pop oriented solo career. This is
not an album recorded by a has-been former punk idealist; instead it's a true
step forward into another unknown arena packing all the glare and attitude
that remained from the last. The music is more similar to 60's power pop than
the vicious punk rock that Bators became known for originally, while a member
of The Dead Boys. New generations continue to discover it. It still holds up
very well and sounds as fresh and vibrant as ever |
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A6 >
crime in the streets (bonus track) |
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B5 >
junebug skillet (bonus track) |
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RADIATION REISSUES |
X RAY SPEX - LIVE AT THE ROXY
CLUB |
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21,33
€ |
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RRS228 |
LP |
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PUNK |
Release: 1977 / Repress; 2024 |
ITA |
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| REPRESS | Spittle White Vinyl | Limited | |
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Recorded live at London's
legendary Roxy Club on April 2, 1977 just five short months before the
release of their iconic debut single, call to liberation, prototypic "Oh
Bondage, Up Yours!". Remastered audio & re-imagined artwork plus
exclusive sleeve notes from original pioneering saxophonist Lora Logic.
Limited edition "Spittle White" vinyl |
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VICTORY |
GEINOH YAMASHIROGUMI - AKIRA: ORIGINAL MOTION PICTURE SOUNDTRACK |
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22,14
€ |
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V28021 |
LP |
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SCORE / STAGE&SCREEN / SOUNDTRACK |
Release: 1988 / Repress: 2024 |
EUR |
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| REPRESS | Unofficial Release | |
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The world is on the brink of
absolute destruction. Tokyo shimmers with tech-noir fetishism, gangs of
cyber-punk ampheramine-crazed bikers cruise the sprawl of the post-atomic
city, and rioting crowds surge under the neon-topped buildings looming a
thousand storeys into the sky. Now old gods return to do battle with AKIRA
and something more than comic book ultra-violence is unleashed. You have
entered the astonishing nightmare of hyper-reality created by one of the
world's leading animation directors. Otomo Katsushiro: now hear the music and
let your imagination explode |
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ALTERED CIRCUITS |
ANTENNA - ANOTHER WAVE EP |
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19,98
€ |
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ALT013 |
12" |
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PROGRESSIVE-HOUSE / TECHNO / NEO-TRANCE |
Release: 30 - September - 2024 |
BEL |
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After
recent explorations into ambient and pop under his full name, Sacha Renkas
switches back to his Antenna moniker for ALT013. The Kiev-born, longtime
Rotterdam-based artist uses a rough-around-the-edges, hiss-laden palette to
construct his intricate, pensive club tracks. Often recording on the fly, he
embraces the limitations and quirks of the hardware he works with, curating
the happy accidents that come with them and that help make his music feel as
alive as it does. It is emotional and imaginative in spirit, yet raw, almost
instinctive in its rendering. Renkas cites the new wave and synth-pop from
his youth and the sounds coming from Chicago and Detroit, as well as the
Dutch West Coast he encountered later on, as inspirations. The sensitivity and
hands-on approach associated with these are also tenets throughout his work.
The "Another Wave EP," a selection of tracks created over nearly a
decade, further substantiates this approach. Made on multiple MPCs, Juno
synthesizers, and an Akai S900, and mixed on a Mackie 16-channel mixer, it
blends, among others, elements of first-wave techno and European
proto-trance. Opener "Alisa" stacks angular sine melodies and
formant basslines one upon another yet flows like silk, its balance
immaculately kept in check. On "Everyone M1," the bass organ patch
from which the track derives its title finds itself amidst a lo-fi flux of
capricious arpeggiators, ethereal pads, and decocted drums. "Another
Wave" is a carefully sculpted slow burner, collected in its unfolding.
Wisps of melody, gated pads, and whisper seem to wind between its drum
patterns; the tension looming beneath this patchwork never entirely reveals
itself. "Quasar" blends signature dramatic chords and off-rhythm
bells with a creeping acid bassline and more kaleidoscopic drum patterns. It
closes an EP distilled in its form, confident in its intent, and nowhere too
bothered by genre boundaries or other formal constraints |
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FOLC |
THE FUZILLIS - PICKLE SWAP |
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10,98
€ |
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FOLC240 |
7" |
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ROCK / ROCK&ROLL / GARAGE / PUB-ROCK |
Release: 14 - June - 2024 |
ESP |
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Two tracks from the garage
rockers Fuzillis sounding as if Link Wray burns down Las Vegas, courtesy of a
London-based non stop, rockin'n'rollin' grind-a-go-go machine |
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MIND CONTROL |
TOOL - LIKE A DOG IN HEAT: LIVE
AT WINGS STADIUM, KALAMAZOO, USA JULY 15th 1998. FM BROADCAST |
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18,27
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MIND861 |
LP |
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METAL / PROGRESSIVE |
Release: 1998 / Repress: 2023 |
ITA |
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| RE-STOCK | Last Copies | Unofficial Release | |
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This radio broadcast was recorded
live during OzzFest at Wings Stadium in Kalamazoo, MI, USA on July 15th 1998 |
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SUNNY BASTARDS |
HASS - ENDSTATION |
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SBLP182 |
LP |
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PUNK |
Release: 2000 / Repress: 2023 & 2024 |
DEU |
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| REPRESS | Black & White Swirl Vinyl |
Remastered | |
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ENDSTATION',
the original album released in 2000, for the time being the last album by 78s
German punk legend H.A.S.S.! 2024 vinyl edition, completely remastered and
remixed in 2023 in the sound the album deserved |
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SOUNDFLAT |
GO GOETTES - LA MUSICA ME GUIA |
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19,80
€ |
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SFR148 |
LP |
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ROCK / GARAGE / SURF |
Release: 07 - June - 2024 |
DEU |
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The one and only electrifying
all-women garage rock band from Mexico, blazing trails since 2022. Drawing
inspiration from the raw energy of the 1960s women's garage bands in the
style of 'Girls In The Garage' and the fervent revival of the '80s with a strong
influence from The Brood, The Pandoras, The Makers, The Headcoatees, among
others |
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VP |
BARRINGTON LEVY / RANKING JOE -
CRUCIFIXION / RIVER JORDAN |
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12,51
€ |
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VPS9908 |
7" |
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REGGAE / ROOTS |
Release: 1980 / Repress: 2024 |
USA |
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| REPRESS | |
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Double headed twin spin revive
produced by Henry 'Junjo' Lawes on the monumental Eventide Fire riddim.
Barrington nailed 'Crucifixion' to the top of the UK reggae charts in 1980
delivering one of his most iconic vocal performances. On the flip Ranking Joe
also sits watertight on the rhythm to chat full flow on the mighty 'River
Jordan'. Roots Radics captured in full effect at Channel One and King Tubby's |
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DISCHI AUTUNNO |
PABLO BOZZI - FANTASY |
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18,90
€ |
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DA038 |
12" |
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HOUSE / TECH-HOUSE / VOCAL |
Release: 29 - September - 2024 |
DEU |
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DISCHI presents Pablo Bozzi's new
EP, Fantasy. After releasing multiple singles, the Berlin-based producer and
DJ is back with three fresh tracks. Saddle up and get ready to ride with
Sunday Rodeo, opening the EP with upbeat bouncy bass, hard-hitting 90s synths
and a piano-driven melody. On Fantasy, an alluring voice leads, accompanied
by potent kicks and zesty lines, sprinkled with a touch of acid. Closing the
EP is Siempre, a dreamy, gleaming synthwave journey scattered with distant
yet intimate voice samples. Once again, Bozzi demonstrates his undeniable
ability to get dancefloors moving |
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NUCLEAR WAR NOW!
PRODUCTIONS |
DEATH YELL - VENGEANCE FROM
DARKNESS |
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ANTIGOT56 |
LP |
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METAL / BLACK / DEATH |
Release: 2016 / Repress: 2023 |
USA |
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| RE-STOCK | |
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Formed in 1988 in Santiago (after
a stint under the name Pestilence), DEATH YELL played thrashing death metal
with a manic intensity with clear influences from Brazilian maniacs such as
SARCOFAGO, SEXTRASH and MUTILATOR, with a punk energy that brings to mind
EXTREME NOISE TERROR and the UK grind scene. Instrumentally proficient and
sonically violent, DEATH YELL creates a controlled chaos that marries its
deathrash roots with a macabre, funerary atmosphere replete with sinister,
lurching organ work. "Vengeance From Darkness" was self-financed
and self-released as a cassette by the band, gaining a legendary status in
tape trading circles at the time. The prestige of this demo led to some of
its tracks being reused on a split 7" with BEHERIT via Turbo Music in
1991, and another 7" titled "Morbid Rites" on Seraphic Decay
Records in 1992. The band would remain dormant until their reactivation in
2012 |
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HELLCAT |
DROPKICK MURPHYS - THE SINGLES
COLLECTION VOL. 1: 1996/1997 |
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HELL804281 |
2LP |
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PUNK / OI / FOLK-ROCK |
Release: 2000 / Repress: 2015 & 2024 |
USA |
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| REPRESS | Compilation | Gatefold | |
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A1 >
barroom hero |
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A2 >
fightstarter karaoke |
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A3 >
john law |
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A4 >
regular guy |
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A5 > 3rd
man in |
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A6 >
career opportunities (live) *written by J. Strummer & M. Jones* |
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B1 >
never alone |
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B2 >
take it or leave it |
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B3 >
eurotrash |
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B4 >
front seat |
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B5 >
denial |
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B6 >
billy's bones *written by S. McGowan* |
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C1 >
road of the righteous |
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C2 >
guns of brixton (live) *written by P. Siminon* |
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C3 >
cadence to arms (live) *music by Traditional* |
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C4 > do
or die (live) |
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C5 > in
the streets of boston (live) |
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C6 >
never alone (live) |
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D1 > get
up (live) |
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D2 > far
away coast (live) |
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D3 >
boys on the docks (live) |
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D4 >
skinhead on the mbta (live) *written by B. Hawes & J. Steiner* |
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D5 >
i've had enough (live) *written by J. Kelly & Slapshot* |
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D6 >
white riot (live) *written by J. Strummer & M. Jones* |
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STILL MUSIC |
SOLID GOLD PLAYAZ - MINDS
BENEATH ATLANTIS (feat. DOT) |
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16,11
€ |
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STILLM041 |
12" |
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HOUSE / DEEP-HOUSE |
Release: 30 - September - 2024 |
USA |
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| REPRESS | |
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Solid phat grooving house tracks
previously releases on Silver Network. worthy re-issue! |
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MONOTONE |
EXZAKT - LOVE HERTZ |
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29,61
€ |
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MON027 |
2LP |
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ELECTRO |
Release: 30 - September - 2024 |
USA |
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Exzakt returns with
"LoveHertz," a masterfully crafted 10-track album released on
Monotone that showcases his evolved veteran skills. This album is a flavorful
fusion of Electro, Miami Bass, and Freestyle, exuding tons of character and
energy. "LoveHertz" features a diverse array of tracks, from the
powerful female vocals to the soulful vocoder ballads, and Exzakt's signature
raw vocals. The standout tracks "Don't Know How To Forget,"
"Nothing Wrong," and "Inside My Dream" highlight Exzakt's
ability to blend genres seamlessly, creating an immersive listening
experience. With "LoveHertz," Exzakt proves once again why he is a
respected name in the electronic music scene, delivering a unique and compelling
album that is sure to captivate listeners and leave a lasting impression |
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PLANET RHYTHM UK
BLACK |
NACHTWALKER - WITHHOLD EP (ARKVS
RMX) |
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PRRUKBLK103 |
12" |
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TECHNO |
Release: 13 - September - 2024 |
GBR |
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| Label Sleeve | |
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MEMORIA |
DRAGOSH - CONSTANTEC |
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10,98
€ |
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MEM018 |
12" |
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MINIMAL / DEEP-HOUSE / TECHNO / TECH-HOUSE |
Release: 28 - October - 2013 |
NLD |
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| RE-STOCK | Last Copies | |
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Strong groovin Minimal Tribal
Tech, Romanian Style |
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541 LABEL |
TIJS VANNESTE - OVER DE HELFT
(feat. STEFAN DIXON, METEJOOR, DIRK DE WACHTER & HELENA MAYORGA PAREDES) |
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5411111 |
LP |
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WORLD / FOLK / COUNTRY / REGGAE |
Release: 20 - September - 2024 |
BEL |
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Tijs
Vanneste, succesvol muzikant én tv-maker, komt met zijn eerste eigen plaat
'Over De Helft'. Als deel van het iconische duo 'Van Echelpoel' werd het hoog
tijd voor Vanneste om zijn eigen muzikale pad te bewandelen. Tijs scoorde al
eerder met albums in functie van zijn televisiewerk: 'Hier Is Het Goed' en
'Wildgroei' maakten deel uit van zijn gelauwerde televisieprogramma 'De
Kempen' op VRT1. Dit nieuwe project wordt gedreven door zijn persoonlijke
passie en mag gelabeld worden zoals iedereen in deze woelige tijden dat zelf
wilt: een daad van egoïsme, nakend narcisme of gewoon een uiterst hoge nood
aan een eigen creatieve uitlaatklep. 'Over De Helft' is geen toevallige
schepping, integendeel, het is een belichaming van elementen die voor Tijs
van onschatbare waarde zijn: humor, diepgang en plezier doordrenkt met
wereldwijde muzikale invloeden zoals Reggae, Dub en Slavische klanken. Zoals
we van Vanneste gewoon zijn wordt dit alles op zijn eigen hardnekkige en
eigenwijze manier van uitdrukken gepresenteerd: het authentieke en
ondertussen tot wereldtaal verheven Kempense dialect. De titel van dit
zelfverklaard meesterwerk is treffend: 'Over De Helft'. Want laat dat nu de
plek zijn waar Tijs zich bevindt: bijna 45 jaar oud en vooral erg blij met
waar hij nu voor en in het leven staat: eerlijk en rechtdoorzee. Nummers als
'Talent' en 'De Kempen' vertellen over vroeger, nu en... later. In het
allerbeste geval is 'Over De Helft' een stimulans voor zowel lichaam als
geest of op zijn minst een plaat die je doet dansen, lachen en verlangen naar
een eeuwigdurende zomer |
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TRIP |
DENIRO - COACHELLA |
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13,41
€ |
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TRP033 |
12" |
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TECHNO |
Release: 24 - February - 2021 |
RUS |
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| RE-STOCK | Last Copies | Full Colour Sleeve | |
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Coachella is Deniro's second full
release on Trip. After the success of 2017's Mendoza EP, the TAPE Records
owner has prepared a series of live takes for us and we couldn't be more
excited. The release received its name from the eponymous festival, where
Nina first played the title track of the release during her AV Performance.
Sonically this record brings what Deniro is best known for: his signature
timeless groove immersed in beautiful, classy techno music |
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ARCHIVES DE LA
ZONE MONDIALE |
GUERNICA - 1981-1984 |
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17,01
€ |
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AZMLP49 |
mLP |
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PUNK |
Release: 10 - May - 2024 |
FRA |
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| Compilation | |
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1981,
the leaden years are over, the socialist left is in power in France and the
first wave of punk seems a long way off. However, the youth of the day had
not said its last word, and bands were springing up all over the place, free
radio stations were opening up, fanzines were being published, concerts were
being staged on the fly and little by little a scene was forming, a motley
crew of kids in revolt, radical activists and just plain old folk passing
through. After having cut their teeth in a variety of more or less
confidential bands, in which you'd come across a good number of players from
this up-and-coming alternative scene, the members of Guernica moved up a
gear, determined to blow on the still-glowing embers of rebel rock. With the
shortage of venues the rule at the time, they began by scouring the suburban
MJCs, putting on wild concerts and eventually meeting up with the squatters
of the Couronnes commune and the members of V.I.S.A., with whom they played
an active part in organising concerts in squatted buildings in these
relegated areas of the capital. In February 1983, the V.I.S.A. association
and the Abattoir art collective (which included some members of Guernica)
organised a concert at the Usine Pali-Kao. That evening, two groups took to
the stage in succession: Guernica and a fledgling duo, Bérurier Noir. The
evening will go down in the history of alternative rock as one of the key
turning points of the period. After the departure of Loran, who played guitar
with both bands, Fabrice Benoît joined Guernica on guitar, and the gang
continued for a few more months, ending on a high note with a chaotic concert
at the Eldorado in Paris. Until now, it's been impossible to get your hands
on any of the band's recordings unless you're lucky enough to own the Paris
Mix compilation, the Guernica/Bérurier Noir split or the V.I.S.A. Usine
Cascades 1982 cassette. This vinyl, a perfect record of the era, brings
together the six tracks recorded by the band at the time |
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CLONE JACK FOR
DAZE |
VIN SOL - LIKE THIS |
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11,34
€ |
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CJFD27 |
12" |
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HOUSE / TECH-HOUSE / CHICAGO |
Release: 01 - February - 2016 |
NLD |
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| RE-STOCK | Last Copies | |
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Vin Sol, our San Fran drummachine
fiend, makes his second appearance on Jack For Daze. Four of his
"brutalist" style Chicago tinged house tracks tailored for sweaty,
dark, raw concrete basements |
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COSMIC TRIBE |
CALAGAD 13 - INNER REVOLUTION |
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CT002-FKR017 |
mLP |
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ELECTRO / ACID |
Release: 01 - October - 2024 |
ESP |
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| 150 copies | |
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|
|
A Mystical Journey Towards
Freedom The Intergalactic Civilization is a hybrid, symbiotic entity blending
technology and biology, from which no race in the cosmos is exempt. We have
reached an advanced stage of development where the manifestation and growth
of all life are under the control and management of artificial intelligence.
This techno-symbiotic fusion explores the boundaries of its own existence,
striving to break free from the constraints of natural laws and technology.
INNER REVOLUTION represents Calagad 13’s most personal work to date,
showcasing a cinematic sound where each track unfolds as an act or episode in
a narrative akin to a sci-fi film. A meticulously crafted transparent vinyl
edition, intended for collectors and enthusiasts of the genre, is limited to
just 150 copies |
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X-MASTERS |
BOHM - IT IS HARD TO FEEL GOOD
EP |
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17,01
€ |
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X2403 |
12" |
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HOUSE / DEEP-HOUSE |
Release: 30 - September - 2024 |
NLD |
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More classic sounding early 90's
housegrooves by Bohm on the follow up for Land of Lost |
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INPERSPECTIVE |
LYNCH KINGSLEY - DEATH CYCLES
(feat. K4LL4X & RESOUND) |
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INP029 |
2LP |
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D'N'B / BREAKS / DRONE / AMBIENT / EXPERIM. |
Release: 2020 / Repress: 2024 |
GBR |
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| REPRESS | Clear Vinyl | |
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Italian DJ and producer Lynch
Kingsley returns to Inperspective Records with new album Death Cycles |
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MINT CONDITION |
A TRIFLE TOO FAR - CATCH YOUR
EAR |
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MC066 |
12" |
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HOUSE / TECH-HOUSE / PROGRESSIVE-HOUSE |
Release: 27 - September - 2024 |
GBR |
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Mint
Condition - A record label focused on excavating the outer fringes of classic
House and Techno. Unreleased mixes, classics, overlooked gems and never heard
before material, mined from the last 30+ years of contemporary dance music
are the order of the day. From Chicago, Detroit and New York to London,
Nottingham and beyond. Mint Condition have got their digging hats on to bring
you exclusive heat and those rarer than rare jams that have been in your
wants list for years. Dig in! Forged in the fertile acid house scene of the
late 80s, A Trifle Too Far comprises childhood friends Simon Ward and Tony
Grimley from Hornchurch, on London's outer fringes in Essex. Their insatiable
thirst for seeking out new sounds led them to countless shindigs, parties and
raves, eventually inspiring them to craft their own music based on their
adventures on the dancefloor. Their studio collaboration culminated in the
creation of the remarkable record you currently hold in your hands: 'Catch
Your Ear / Meringueatang'. This two-track release, recorded in 1992, offers
forward-thinking and fresh prog-house cuts, as rare as hen's teeth and as
exhilarating as they were upon their original release over three decades ago.
Catch Your Ear was expertly engineered by Evren Omer, boss of Essex-based
techno bunker Strategy Records, while Meringueatang was helmed by Matt
Clayden, one half of M&M and Acorn Arts and the proprietor of X-Gate
Records, another stalwart in Essex's underground dance scene. 'Catch Your Ear
/ Meringueatang' remains the only musical collaboration between the duo. When
Mint Condition approached them to reissue this highly sought-after EP, both
Simon and Tony were surprised and delighted in equal measure by the
proposition. Now, a few months down the line, we find ourselves with yet
another top-tier addition to the MC reissue catalogue, fully licensed from
the artists, mastered and cut by Keith Tenniswood at Curve Pusher, and
available once again for purchase. Do not resist the beat! |
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SPATIAL |
AURAL IMBALANCE - PLANETARY
FORMATION |
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SPTL009 |
12" |
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|
D'N'B / JUNGLE |
Release: 10 - March - 2023 |
GBR |
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| RE-STOCK | Pink Marbled Vinyl | |
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A1
- Parallel Universe: Kicking off the EP in style, Parallel Universe lays down
classic amens straight out of the late 90's - a slickly crafted pattern
looping around the muted palette of subtle funk melodies and luscious
ambience. This is Aural Imbalance flexing his amen editing talents as well as
those inimitable, enchanting chill-out vibes he constructs so well. A2 -
Warming Sine: A crisp DJ-friendly breakbeat introduces Warming Sine,
welcoming a mellow collage of 808 bass and textured backdrops before hi-hats
usher along the pace. The breakdown teases washes of aural meditation before
we are lifted gracefully up by the beats once more, drifting through the
skies as twilight sets in. AA1 - Syren of Hyperion: Analogue kickdrums
freckle the landscape of Syren of Hyperion, a blissful roller which envelops
the listener with layer upon layer of playful synths and keys. A slight hint
of menace lingers tonally, contrasting the soothing auricular scenery,
showcasing the variety in Aural Imbalance's musical skillset. AA2 - Genesis:
Closing the EP we have Genesis, a beautiful sugary rush of wisping
atmospheric delights, building an effective, catchy beat pattern throughout
with exquisite balance. The composition exudes a smooth, tranquil energy as
the use of gentle FX channel the unfurling emergence of dawn in a forest
bustling with fauna. A wonderful piece. Words by Chris Hayes (Spatial / Red
Mist) Written, produced, and engineered by Simon Huxtable |
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SCOOPS |
VIBRONICS meets SISTA HABESHA -
POLARITY DUB |
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SCOOP080 |
7" |
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DUB / REGGAE |
Release: 16 - August - 2024 |
GBR |
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| Orange Vinyl | |
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Vibronics teams up Sista Habesha
in the Dub Cupboard Studio to create this epic heavyweight instrumental Sound
System style dub style track. Vibronics is one of the most established names
in UK Dub/Reggae music achieving millions of views on YouTube, millions of
Spotify streams and many tens of thousands of vinyl record sales.
Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T,
Aba-Shanti and more |
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AMENTHIA |
KONDUKU - SLOWWORM |
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16,74
€ |
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AMEN013 |
12" |
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TECHNO / EXPERIM. |
Release: 30 - September - 2024 |
CHE |
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Konduku's appearance on Amenthia
feels like something that happened a long time ago, but with 'Slowworm,' he
officially makes his label debut, delivering three solo works that solidify
his close relationship with the pioneering Basel crew. 'Slowworm' includes
three mesmerizing, slow-paced, tension-building mind trips that are a perfect
fit for Amenthia. It's an excellent showcase of impeccable rhythms, morphing
from sludgy slow beats to introverted intensity--a style for which both
Konduku and Amenthia are celebrated. Konduku's tracks have been a staple in
the Amenthia crew's setlists for years. In addition to creating the 2022
release 'Glimmer' by Konsudd, a project with Aa Sudd; and contributing a
track on the latest Amenthia x A Walking Contradiction collaboration EP; the
partnership has generated a close friendship along the way |
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FRUSTRATED FUNK |
214 - EASING INTO THE NIGHT |
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17,01
€ |
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FR060 |
12" |
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ELECTRO |
Release: 30 - September - 2024 |
NLD |
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My log saw something, something
significant... Shut your eyes and you will burst into flames |
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PHYSICAL EDUCATION |
PAPERKRAFT - ELFIN DELIGHT |
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PE020 |
12" |
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TECHNO / TECH-TRANCE / TRANCE / PSY-TRANCE |
Release: 09 - September - 2024 |
ESP |
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Paperkraft presents his latest EP
Elfin Delight. Based in Osaka, Japan, Paperkraft’s influence reverberates
far, with a strong presence in Europe and major parties and festivals around
the world. Known for blending progressive and trance elements with funky
vocal samples, Paperkraft delivers his fresh, hypnotic sound in Elfin Delight
that’s both innovative and dancefloor-ready. Following his recent release on
Truly Madly’s Mindhelmet label, this EP cements Paperkraft’s position as a
rising force. The record opens full of energy with 33 Ways To Do It, followed
by the equally addictive Score The Highest. Side B continues with titile
named Elfin Delight, and closes dynamically with Comosquare |
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DARK ENTRIES |
VARIOUS ARTISTS - BACK UP DOS:
MEXICAN TECNO POP 1982/1989 (LOS AGENTES SECRETOS,
INTERFACE, CASINO SHANGHAI, DUDA MATA, FORD PROCO, VOCES MULTIPLES, NEO
DANZA, MARIA BONITA, EL ESCUADRON DEL RITMO & LAS FLORES DEL MAL) |
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DE323 |
LP |
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SYNTH-POP / NEW-BEAT / POP / TECNO-POP |
Release: 20 - September - 2024 |
USA |
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| Compilation | +12 Page Booklet | |
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Dark
Entries returns to Mexico with Back Up Dos: Mexican Tecno Pop 1982-1989.
Following 2021’s Back Up compilation, Back Up Dos delivers 10 more tracks of
synth-pop and New Beat, 7 of which have never before appeared on vinyl. From
mutant drum machine beats to irresistible synthesizer hooks, fans of the
fringes of the 80s will find songs to stir their cold, dark hearts. But Back
Up Dos does more than mine retro kitsch; it documents the development of a
rich DIY music scene that is still underexplored. As affordable samplers and
digital synths spread throughout the decade, post-punk and new wave gave way
to more aggressive EBM and cyberpunk sounds. The scene also developed in
opposition to the political climate of the times: the rise of the drug
cartels and a reactionary turn in national politics. Using home recording
techniques, these bands took cues from the electronic wizardry of the Human
League and Wax Trax Records while reflecting the vibrant and chaotic Mexican
cultural landscape of the era. On Back Up Dos, impeccable pop anthems from
Casino Shanghai and Los Agentes Secretos sit alongside gnarled obscurities
from Ford Proco and María Bonita, showcasing a decade of sly deviance and
enthusiastic experimentation. This album comes housed in an 80s-inflected
neon sleeve designed by Gwenael Rattke and includes a 12-page booklet with
photographs, lyrics, and notes. Back Up Dos compiles synthetic music produced
in Mexico at the crossroads from Tecno Pop to Post-Industrial, nourished by
culture shock and stories of dystopian worlds |
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EAUX |
RROSE & POLYGONIA -
DERMATOLOGY |
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EAUX1791 |
mLP |
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TECHNO |
Release: 20 - September - 2024 |
GBR |
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Eaux
proudly announces a new collaborative mini-album from label boss Rrose and
Polygonia. Containing six tracks and over 40 minutes of music housed in a
fully printed sleeve with artwork by Jon-Paul Villegas, the record focuses
squarely on the dancefloor while infusing it with the kinds of psychoactive
drones, intricate polyrhythms, and relentless modulations that have come to
identify both of their approaches to sound. Featured heavily are their shared
interests in sonic shapes that resemble natural forms and conjure tactile
feelings, in this case related to themes of skin-like surfaces and
circulatory systems experienced simultaneously on a micro and macro level.
While several of the tracks hover in a flexible tempo range between 125 and
130 bpm, "Stretcher" reaches up to 142, and the closing track
"Vena Cava" trades the kick drums for spectrally processed
percussion and endlessly diverging high-frequency pulses. The story behind
the release starts in 2022, when Rrose reached out to Polygonia after
noticing that her tracks were appearing in their sets more frequently than
any other artist. Never before had Rrose proposed a collaboration with
someone they hadn't met before, but there was such an obvious connection in
their approach to sound that it felt necessary. As it turns out, Polygonia
had only become interested in techno after hearing Rrose perform at a
festival in 2018. It all made sense, and they began sharing sketches and
unfinished ideas with each other, trading them back and forth until they
reached completion. Without any announcement of their collaboration, the two
artists have since been asked to share the stage together several times. It
seems there are other people out there sensing a connection... RROSE: Rrose
is an alias of the multi-disciplinary artist Seth Horvitz, born and raised in
California, and currently based in London. Active since 2011, the Rrose
project explores the intersection of hypnotic techno, experimental
composition and psychoacoustic phenomena with a meticulous touch. The first
major breakthrough was 2012's "Waterfall" for Sandwell District
which followed "Motormouth Variations," a collaborative project
with composer, improviser, and activist Bob Ostertag. After the shuttering of
Sandwell District, Rrose established Eaux, a home for further solo
productions and collaborations. Building on his studies in electronic
composition and history at Mills College, Rrose's electronic pieces blur the
lines between thrillingly claustrophobic club tracks and destabilizing sound
art explorations. In 2015, she released an extended version of James Tenney's
postcard composition "Having Never Written a Note For Percussion"
for solo gong, and in 2018 collaborated with Charlemagne Palestine on
"The Goldennn Meeenn + Sheeenn" for two grand pianos. These works
overlapped with the development of Rrose's singular techno: EPs like
"Vanishing Pools," "The Ends of Weather" and "Arc
Unknown" as well as 2019's debut LP "Hymn to Moisture" and
last year's follow up "Please Touch." Rrose is also active as a
touring DJ and live performer, equally comfortable commanding sweaty
warehouse dancefloors and seated audiences in historic concert halls.
Appearances include Unsound, Atonal, Semibreve, Dekmantel, Mutek, Sonic Acts,
Nuit Sonore, Mostra, Parallel, Theatre Graslin, Nextones, and Berghain.
POLYGONIA: Polygonia represents a multidisciplinary music and art project
conceived by Lindsey Wang from Munich, Germany. She draws inspiration from
her many years of practicing various acoustic instruments and her keen
interest for other cultural forms of expression, which she translates into
the digital language of electronic music and art. Her productions' soundscape
exudes a mystical, organic quality, featuring intricate and compelling
rhythms. Polygonia's sound palette ranges from energetic, groovy Deep Techno,
Downtempo, Grey Area to textural and/or harmonic Ambient. Besides, she is not
afraid to include influences from the genres House, Drum and Bass, Electro
etc.. In addition inspiration from nature play a major role in many of her
productions. Exemplary for her style are for instance her 'Otro Mundo' EP
(2023) on Bambounou's Bambel Imprint, her 'Bloom' EP (2022) on the American
record label Sure Thing, the release 'Deformed Human Nature' (2021) on her
own label IO, as well as the album 'Abbilder einer vergessenen Welt' (2021)
on the Korean label Huinali. Her DJ and live sets too reflect her passion for
different genres. Depending on the time of day and setting, Polygonia shows a
different musical side. What unites all her dance music sets is the
hypnotizing effect that invites to completely lose oneself in the world of
sounds for a longer period of time. Several voices from the audience also
confirm that the musician always tells a complex story within her mixes,
allowing for very clear highs and lows. In the same set there can be very
harmonic passages, which provide emotional moments and on the other hand
extremely texture-heavy dark tracks, which establish a connection with the
subconscious and put the listener in a kind of trance. Polygonia has already
visited numerous of prestigious venues. She is now a regular at Tresor or
Berghain in Berlin and additionally started her residency in 2023 at
Munich-based BLITZ club |
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SDBAN ULTRA |
KAU - KAUGUMMI / MAD KAU |
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SDBANU703LTD |
7" |
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BREAKS / JAZZY / D'N'B / JAZZTRONICA |
Release: 13 - September - 2024 |
BEL |
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| 100 copies | HandStamped | |
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Hand
stamped 7", limited to 100 copies!Almost exactly one year after their
debut album on Sdban Ultra (2023), the pan-European trio KAU continues their
energetic trip with a double single release. Almost exactly one year after
their debut album on Sdban Ultra (2023), the pan-European trio KAU continues
their energetic trip with a double single release. This release, packed with
intricate synthesizer arrangements, rapid drum patterns, and deep resonant
basslines, is once again focused on capturing and translating their
infectious live sound to tape. Fully playing off their energetic band
dynamics, the trio draws on elements of jazztronica, combined with familiar
jam sounds from acts such as Yussef Dayes and corto.alto, transitioning into
a groove atmosphere reminiscent of Flying Lotus. Imagine the fusion of
British jazz with the innovative, vibrant 'Brussels sound'-that's where KAU
sits. "Kaugummi" (chewing gum) is the latest original track
produced by the trio. The idea evolved by combining a 'dub' bassline with an
intricate drum pattern. The melody is reminiscent of the EP's other side,
"Mad Kau," as it uses similar unapologetic, richly diverse, and
grooving elements. Both tracks culminate in highly energetic moments distinguished
by aggressive arpeggiators and synths. "Mad Kau" is a present-day
remake of their previous 2022 release "Mad Max." It's a true
representation of how the track is played by the trio on stage, with its
iconic melody as the heartbeat of the song. It evokes moments of madness both
within the musicians and the listener, hence the title |
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3AM ETERNAL |
FFF - GOLD DUST (NEWK RMX) |
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13,41
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3AM09 |
12" |
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D'N'B / JUNGLE |
Release: 04 - October - 2024 |
NLD |
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FFF returns to 3AM Eternal with a
4 track ep. Side a features 2 soundclash infused rare groove amen tunes that
are atmospheric, melancholic but still guaranteed ruff! The B side is less
smooth. 100% riot beats! Mentasm mayhem!! Rotterdam based Newk's remix goes
even deeper into jungle tekno territory |
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AKTA |
LIRO - VIAS 19 EP (COSMIC CLAP
RMX) |
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AKR07 |
12" |
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MINIMAL / TECH-HOUSE / TECH-MINIMAL |
Release: 13 - September - 2024 |
FRA |
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| 180 grams | |
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MUTUAL RYTM |
EXOS - ICEBREAKER |
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MR-027 |
12" |
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TECHNO |
Release: 06 - September - 2024 |
DEU |
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| CutOut Sleeve | Printed InnerSleeve | |
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Exos
returns to Mutual Rytm for second standout EP, 'Icebreaker'. A renowned
global talent, Iceland's Exos was last on Mutual Rytm earlier this year with
his successful 'Infrared' EP in April. The debut release on the label's new
10" vinyl X-Series, the EP picked up a wealth of high-profile plays
while delivering an absorbing journey through techno soundscapes. The release
was followed up by his 'Evil Nation' LP, exploring a harder, more intense
approach to techno on his own Planet X imprint, ext to tunes on the likes of
Figure and X/OZ. However, he returns with more skilfully crafted ammunition
across five stand-out productions and two digital bonus gems on SHDW's
burgeoning imprint for a second outing packed with his trademark sound
spanning mystic yet driving and impactful spheres. The package opens up with
'Voices Of Volcano', a powerful track with a monstrous low end and quickened
drum kicks that compel you to march in time as the twisted synths peel away
up top. 'Enter The Danger' has a steamy feel, as if racing through a humid
jungle with the sounds of bird calls and haunting voices next to the loopy
percussion and driving rhythms. The brilliant 'Icebreaker' keeps up the
intensity with more precision drumming working dancers into a meditative
state while the cosmic synths grow up out of the groove to become bright and
unsettling. 'Mocoa Beats' is another warm techno cut that fizzes with synth
energy and unfolds like an ancient ritual, while 'Chicat' brings some
sensuality to the party with whispered, intimate vocals over more macho and
unrelenting drums. Bonus tracks 'Codebreaker' and 'Spliffmatch' round out
this high-grade EP of timeless techno in style, offering a unique closing
treat for digital purchasers. Exos 'Icebreaker' EP drops via Mutual Rytm on
6th September 2024 |
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NO SIGNAL |
JAMIE BISSMIRE - ANALOGUE
ASCENSION |
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NSG010 |
12" |
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TECHNO |
Release: 20 - September - 2024 |
DEU |
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No
Signal records is proud to introduce for the 10th release of the label one of
the most important producer of all time: Jamie Bissmire. His productions have
been central part of the scene through the 90s and the last decades. The UK
legend spread the proper techno and electronic vibe with his solo moniker and
in collaborations projects like Bandulu and Space DJz satisfying any kind of
enthusiastic. The EP starts with the ambient skit "Subteranium",
subtle synths and textures combined with a smooth-alternate basslines keep
the listener moody and tense for an unexpected start. In Temporal Mst open up
the dances. Slightly distorted 4/4 beat track, jam-packed in No Signal style,
plucked arps well arranged for an elegant swing. Lore & Order is the
match up to lead the dancefoors and listeners into more gloomy and wicked
mood. Different sequenced synths wrap the drum groove for an hypnotic, yet
enchanting and dreamy moving session. The Tapestry of Fate is definitely a
massive Jamie Bissmire's signature track. Total ensemble of Ground Recordings
releases, wicked patterns, dark mood and relentless pressure. Dancefloors
will go mad for it. Antediluvian Analogue closes the shakers with a more
modern vision, high cut on bass synth and 2/4 bleepy synth for a step-forward
march. Woven Whispers closes the EP as Subteranium opened. Gloomy and dark
mood, effective and reverberated synths in full shaded ambient atmosphere to
stun the listener and bring it into a different sound dimension |
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SYSTEM 108 |
THE DAWLESS - BROKEN AUX (with KACCETA, KRISTINA SI, ACROPHOBEE, YEAHCH, BATO, RAW
TAKES, ERRORTICA, KOVYAZIN D, DOPEFISHER, LOW LIQUID, SUBTRAXIVE; ROKLUM RMX) |
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S108-023 |
2x12" |
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BREAKS / BASS / GHETTO / ELECTRO / TECHNO / ACID |
Release: 20 - September - 2024 |
RUS |
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| Printed Sleeve | Gatefold | |
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descripcionTHE DAWLESS present
BROKEN AUX LP, their own modern vision of true & old school electro, bass
and ghetto-house, - we are super excited to share this first full length
project on System 108 by Rami aka Goddeem and Serega aka GOL'D! Already a
multi-million streaming project, now it is time for the vinyl release, all
comes as superb 2 x LP with gatefold format. BROKEN AUX is a collaboration
heavy album produced in fine style, highlighting the duo's studio production
skills, advanced drum machine programming and a perfect feel for that groovy
street vibe that everyone loves. Like classic hip-hop and electro albums from
the golden era of the genre, the LP is massive (4 sides, including bonus
tracks) and unites the band's music friends under one roof, featuring
KACCETA, Kristina Si, Kovyazin D, Errortica, Raw Takes and many many more! |
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SAMURAI MUSIC |
REEKO - URMAH |
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SMDELP12 |
2LP |
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D'N'B / BASS / TECHNO / EXPERIM. |
Release: 20 - September - 2024 |
DEU |
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| Purple Marbled Vinyl | Printed Sleeve | |
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Building
on the foundation of his two EPs for Samurai Music, we proudly present Urmah,
the first LP exploring the 170 tempo from acclaimed Techno/Electronic
producer Juan Rico aka Reeko, aka Architectural. Reeko has now become an
integral part of the overall Samurai Music sound. His work resonates deeply
within the label's ethos, and Urmah exemplifies this synergy, highlighting
his ability to enrich and expand Samurai Music's vision and push the
boundaries of his own artistic expression. For Urmah, Reeko delves even
further into sound and psyche with a richer, more enveloping exploration into
his distinct interpretation of the tempo. Reeko's production prowess shines
brightly on Urmah with the warmth and weight of each track leaving an
indelible impression. Urmah focuses on heady fathomless grooves that tease
shards of breakbeats like delicious icing, binding themselves to a gentle
psychedelia with celestial textures. This is dexterous, meditative journey
music from a producer who has an intimate relationship with groove creation.
As one of the most respected Techno producers in the genres long history,
Reeko's influence and mastery are undeniable. With Urmah, he further
showcases his expertise, expanding his palette to display a refined command
of the 170 BPM tempo. The LP is a testament to his ability to innovate and
redefine, solidifying his reputation as a pioneering force in electronic
music |
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SUBLUNAR |
VARIOUS ARTIST - VEIL OF ECHOES
I (TEMUDO, TROY, NEEL, MARCAL, KAMELIIA, KAISER, ROLL DANN, CIRKLE, JURI
HEIDEMANN & KERRIE) |
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SUBL016 |
2x12" |
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TECHNO |
Release: 20 - September - 2024 |
ITA |
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Sciahri
and his label Sublunar are thrilled to present "VEIL OF ECHOES," a
new project that brings together both emerging and established talents from
the label. This release showcases a fresh dimension of techno and electronic
music, celebratingf originality by combining timeless cuts from the past with
cutting edge sounds of the present and future. The journey begins with
"IIum" by Temudo, an entrancing track with hypnotic synths that
seamlessly transitions into Troys Awakening, featuring an irresistible and
cerebral groove. Neel takes over with Follow Me, pushing the boundaries with
intricate sound design crafted to move your body, followed by Marcal's
Ancient Swing, renowned for its unique sound and processed vocals. Kameliia's
Insolitam then transports you to another dimension with its deeply immersive
and mental vibes. Kaiser kicks off the next phase with Fearless Attitude, a
powerful yet refined track, while Roll Dann continues the momentum with
"Area 24," offering a softer yet penetrating synth line. On side D,
Cirkle's "Mooree" showcases his talent for creating minimalistic
yet razor-sharp tracks, leading into Juri Heidemann's "Reger," a
mysterious piece with a groove designed to carry you to another realm. The
project culminates with Kerrie's Jump The Gun, featuring intricate synths and
a mind-bending bassline. With "VEIL OF ECHOES," Sublunar aims to
share a visionary collection that encapsulates the essence of techno and
electronic music, bridging past influences with future innovations |
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THE THIRD ROOM |
ARTHUR ROBERT - PARTICLE
ACCELERATOR EP |
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T3R013 |
12" |
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TECHNO |
Release: 13 - September - 2024 |
DEU |
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| Printed Sleeve | Recycled Vinyl | |
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Breaking
new ground at The Third Room, we are introducing our first full EP by a guest
artist, setting the stage for more to come. Since quantum mechanics arose
from classical physics' failure to explain microscopic phenomena, Berlin's
exceptional creative mind Arthur Robert pays tribute to the interaction of
little entities that can result in the release of colossal power and provide
answers for questions older than the universe itself with his Particle
Accelerator EP on The Third Room. Genuine, dynamic techno that defines itself
through crisp sound design, memorable textures, and highly compressed,
sometimes distorted drum arrangements makes this piece of music a profoundly
soundscaped lecture in four classes that gets its final, emotional touch from
either melodic compositions or disruptive beeps. Creating those fascinating
pieces within fast-paced and hard-hitting club sounds is one of Robert's
trademarks, making him a hugely exciting producer. Out from September 6th and
available on all platforms and always remember - the whole is more than the
accumulation of its units. 2024 The Third Room Mastering by Ahmet Sisman (The
Third Room Studios) Artwork by Daniel Bornmann & Lennard Makosch
(STUEDIO.XYZ) Pressing by Matter Of Fact |
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DOUBLE CROSS |
DJ EASY B - THE ACID GAME |
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XX004 |
12" |
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BREAKS / ELECTRO / TECHNO |
Release: 27 - September - 2024 |
NLD |
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If you have put your ear to the
ground, you might have heard it coming... Hailing from Rotterdam, DJ Easy B
is one of the co-founders of the subversive renegade collectives ZMK
Soundsystem and Move Around Sound. As a producer, Easy B's sonic palette is a
raw and vibrant blend, drawing from '90s West Coast Electro, early Rotterdam
Gabber and underground bass. Influenced by the infamous Dutch Acid Freeparty
scene and the DIY energy of the UK Breakbeat/Hardcore Soundsystem culture.
This EP is Easy's first solo project, and there's more to come |
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ZODIAK COMMUNE |
GHOST IN THE MACHINE - ACID
HEATERS VOL. 1 |
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ZC037LTD |
12" |
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TECHNO / ACID |
Release: 27 - September - 2024 |
NLD |
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| 200 copies | Yellow Vinyl | + Poster | +
Stickers | |
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LIMITED 200 COPIES POSTER EDITION
(yellow vinyl & stickers) Ghost in the Machine returns to their acid
roots with a 100% acid release on Zodiak Commune Records All four tracks on
Acid Heaters EP feature their signature dark and unsettling atmospheres and
heavy, heavy kicks. Acid Heaters starts with a slow Wall of Fire and moving
into a fast and furious Inferno. The will certainly heat up the dancefloor! |
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LATE NIGHT TALES |
VARIOUS ARTISTS compiled by ZERO
7 - ANOTHER LATE NIGHT (YESTERDAYS NEW QUINTET,
QUASIMOTO, ROOTS MANUVA, WALWORTH ROAD ROCKERS, SLUM VILLAGE, JOY ZIPPER, THE
CINEMATIC ORCHESTRA, JIM O'ROURKE, SOULS OF MISCHIEF, DA LATA, SERGE
GAINSBOURG and BRIGITTE BARDOT, HERBERT, SHAWN LEE, ASHLEY BEEDLE, SYLVIA
STRIPLIN, DON BLACKMAN, LEROY HUTSON, ZERO 7 & THE STYLISTICS) |
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ALNLP04 |
2x12" |
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HIP-HOP / DOWNBEAT |
Release: 06 - September - 2024 |
GBR |
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| REPRESS | 180 grams | +30cm. Art Print | +
Download Codes | |
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Unmixed
Vinyl Version. Pressed on double 180 gram virgin vinyl. Includes 30cm art
print. Including download codes for the unmixed tracks and original DJ mix in
MP3 / FLAC / WAV formats. An ocean of
water has passed under the Zero 7 bridge since we originally issued this
collection of music. In 2002, when this was first issued, they’d recently
been nominated for the Mercury Music Prize for their brilliant debut album,
Simple Things, as well as being a nominee for Best Newcomer at the 2002 Brit
Awards. Their third album, The Garden, was nominated for a Grammy in 2007.
Since then, Zero 7 have become an active touring live band, made some
incredible music and judiciously chosen remixes, like Terry Callier’s ‘Love
Theme From Spartacus’. Their old RAK studios colleague Nigel Godrich once
told them, “Your great records become the Sistine Chapels of music in a sea
of affordable accommodation”. It’s fair to say they’ve got a few Sistines
under their belt. The selection is compilation perfection – and you seem to
agree. Such is the desirability of the original vinyl edition, it’s now
selling for over a ton. You can expect to find the Stylistics’ soul classic,
‘People Make The World Go Round’ and the rare groove bomb produced by Roy
Ayers, ‘You Can’t Turn Me Away’ by Sylvia Striplin. Don Blackman’s ‘Holding
You, Loving You’ is included. This tune was sampled by Slum Village on ‘Go
Ladies’ who also make an appearance here with ‘Jealousy’, as does Herbert’s
boompty-boomp rub of M.Gainsbourg’s ‘Bonnie & Clyde’. All of this
goodness for how much?! Bargain! Keep the rest of the money for a session in
a floatation tank, just one of the better ways we can think of consuming this
vinyl edition. As they say in football, “form is temporary, class is
permanent”: Zero 7: class personified |
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CROSSTOWN REBELS
MUSIC |
SECRET ECHOES - BRING MY BEAT
BACK (ZOMBIES IN MIAMI RMX) |
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CRM317 |
12" |
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HOUSE / DEEP-HOUSE / TECH-HOUSE |
Release: 13 - September - 2024 |
GBR |
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Mexican
supergroup Secret Echoes releases debut single ‘Bring My Beat Back’ on
Crosstown Rebels. The project combining a trio of revered talents from the
Mexican electronic landscape sees Estefani Brolo, Diego Cevallos, and Marco
Anaya unite to reveal a first glimpse into their forthcoming debut album,
with the single remixed by Zombies In Miami focus on the song's hypnotic
vocals and raw emotive energy. Secret Echoes is a dynamic collaboration of
three acclaimed artists from Mexico’s electronic music scene: Estefani Brolo
(of BROLORZIO & I.M YONI), Diego Cevallos (AKA Métrika), and Marco
Balcazar (AKA Balcazar of Balcazar & Sordo). With each member bringing a
distinct musical background to the group, creating a unique fusion of sound
set to resonate with electronic music enthusiasts worldwide, Secret Echoes
creates music that blends house foundations with melodic innovation. The
origins of the project trace back to the height of the pandemic, when
Cevallos and Balcazar began collaborating on an album they had always
envisioned. Renting a unique studio in Jiutepec, Mexico, equipped with
analogue tape machines and high-end studio gear, and inviting their talented
friends to contribute, Brolo soon joined the project - adding her melodic and
lyrical expertise. The result was the recording of 11 tracks that were put on
hold until the time was right. After revisiting the tracks and performing
them live, ‘Bring My Beat Back’ caught the attention of Crosstown Rebels
founder Damian Lazarus during 2024’s Day Zero performance. Inspired by its
energy and potential, Lazarus signed the entire album, and this first single
provides a first glimpse of what is to come from the enigmatic trio on an
imprint known for continually pushing boundaries within house music. ‘Bring
My Beat Back’ showcases the group’s distinctive blend of house music
foundations, guided by Brolo’s captivating vocals above shimmering synths and
refined percussion grooves to deliver a silky-smooth production balancing
classic nuances with contemporary touches for the dance floor. Creatures Of
The Night founders and Permanent Vacation regulars Zombies In Miami provide
an extra layer to the package, with the renowned duo’s remix drawing for
neon-lit synths and hazy tones for a deep dive into the late-night hours |
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HALOCLINE TRANCE |
ACT! - FACE TO FACE, DAY BY DAY |
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21,60
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HTRA045 |
LP |
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POP / SYNTH-POP / AMBIENT / EXPERIM. |
Release: 06 - September - 2024 |
CAN |
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On
August 16, Toronto-based musician and producer David Psutka aka ACT! (fka
Egyptrixx / Anamai / Ceramic TL) will release his latest project ‘Face to
Face, Day by Day’ for his own Halocline Trance imprint. This is is Psutka’s
third album proper as ACT! following the release of the “sonic mixtape”
‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’
in 2021; a series of Snapchat filters created by artist Karen Vanderborght
and soundtracked by ACT! which explored the poetic and existential potential
of AR and social media. “Aesthetic accidents in the periphery of the ‘work’
can be the message. In 2018, at an Egyptrixx concert at Bagni Misteriosi de
Teatro Franco Parenti - a gorgeous, sprawling outdoor pool theatre in Milan -
I had a clarifying moment. Gigs around then had mostly been in pummelling,
dark music venues, so I wasn't prepared for this expansive space (and the
thoughtful work of the organisers who had layered sheets of plastic film on
the pool to parallel eco-materialist themes from a previous album). It was
the midday soundcheck that struck me most - brittle digital sounds from the
set echoed off the colonial Milanese facades and ricocheted down the Via
Carlo Botta, pinging off buildings in the distance and clashing with the
noise of traffic, tourists and whatever else. It was a strange, collisionist
moment, and a reminder that my essential approach to music is, above all, a
preoccupation with the materiality of sound. Everything on Face to Face, Day
by Day began as an improvisation. Openness to accidents and the emotional
complexity that comes from centering them in composition has become important
to my work, and helps the music go beyond the possibility of what is
playable, imaginable. I also wanted to channel adventurous solo pop records
of the 1970’s and 80’s, like Yasuaki Shimizu, Jon + Vangelis and Stevie
Wonder. These came from an interesting era in commercial music as studio
production techniques became increasingly formalised as compositional
devices, like AMS RMX16 percussion sounds and early digital stereo effects.
Like many musicians, I’ve been travelling and performing less since the
pandemic and as a result, have wanted studio sessions to feel more
collaborative and improvisational. There were great writing and recording
sessions for this album. Vox, synth, sax and guitar jams - much of what ended
up on the record isn’t edited much, if at all. I jammed a sm57 into Colin
Fisher’s sax bell and created feedback loops using various preamps and distortion
units. The clunky sounds were sampled and used as percussion elements. I also
had a great synth jam session with Jeremy Greenspan at Barton Building Studio
in Hamilton, which was recorded by filmmaker Liz Adler. I’ve had a few months
to sit with this album and see clear throughlines connecting it to previous
project |
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KINGSTON SOUNDS |
THE CONGOS - FEAST |
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16,47
€ |
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KSLP008 |
LP |
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REGGAE / ROOTS |
Release: 04 - October - 2024 |
GBR |
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| REPRESS | |
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Once
touched by magic it does not fade away, but resurfaces as it has with what we
believe to be some of the Congos most heartfelt and meaningful set of songs
...... Let the feast begin. The Congos were formed by Cedric Myton (born 1947
St Catherine, Jamaica) and Roydel ‘Roy’ Johnson (born 1943 Hanover, Jamaica),
around the mid-seventies, a time when the Rasta message coming out of
Kingston and other pockets of the Jamaican Island was at its most prominent.
Cedric Myton’s singing career began back in the rocksteady era in Reggae’s
musical story. He formed the ‘Tartans’ group taking lead vocal duties
alongside Devon Russell, Prince Lincoln Thompson and Lindbergh Lewis. They
cut ‘Dance All Night’ (1967) and ‘Coming On Strong’ (1968). The line-up
reduced to a two piece, Cedric and Devon Russell, when tracks like ‘What a
Sin Thing’ and ‘Short Up Dress’ were cut. This line-up became the Royal
Rasses, Cedric formed The Congos, on meeting Roydel Johnson. Roydel
previously sang as a member of Ras Michael and the Sons of Negas, cutting
such tracks as ’Go To Zion’ (1973). As we can see Cedric’s and Roydel’s Rasta
roots were firmly in place by the time they had formed The Congos sometimes
called ‘The Congoes’. The Congos possess what all bands look for,that unique
sound that draws the listener to them.Lead singer Cedric Myton’s style and
phasing, with his distinctive Falsetto voice makes this just the case.Built
on a foundation of classic rhythms and with the aid of then Producer, Lee
Perry, the groups statement of intent was laid down with one succinct
message. The Congos mighty 1977 ‘Heart of the Congos’ album, is quite simply
one of the best reggae albums ever recorded. Producer Lee Perry had wanted to
record a classic Jamaican vocal group in his newly built Black Ark Studio.
The voice of Watty Burnett was added at the time to cover baritone vocal
duties. The studio after various changes in equipment etc. was finally
finding its way. A sound built in Lee Perry’s back yard in Cardiff Crescent,
Washington Gardens, Kingston, but existing until then in Mr Lee Perry’s mind.
The album they cut would be the defining group release to come out of The
Black Ark studios, when the vital elements, vibes, musicians, songs and
singing would gel to form ‘Heart Of The Congos’. Come the time of it’s
release 1977, Lee Perry was in dispute with Island Records and opted to
release the record on his own ‘Black Art’ label. Without the high-profile
push of a major label, the record undersold and caused a split between
producer and band. Under different circumstances maybe this album would be
sitting in thousands of homes alongside the Bob Marley, Culture, Burning
Spear releases. Cedric Myton went on to release albums with the French arm of
the CBS label and Roy Johnson records and tours as Congo Ashanti Roy. Cedric
Myton the central force carries on the mantle of the Congos and we at
Kingston Sounds are proud to pick up the story with another set of vocal
statements, which sees Cedric cut some of his finest tunes. Helped along by
another reggae legend Brent Dowe, lead singer of the Melodians (Rivers of
Babylon), over some classic 1970’s rhythms. Yet again we find that magic
formula of strong statements working alongside classic rhythms making the
balance work. The Rasta message is still strong on modern classics like ‘King
Rastafari Is His Name’, ‘Rasta Congo Man’ and the injustices of the world
dissected in tunes ‘Some A Thief’, ‘Watch & Pray’ and the prophetical,
‘Citizen Of The World’ |
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MOLI DEL TRO |
NAOMIE KLAUS - YOUTH LOOKS SO
GOOD ON YOU |
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MDT005LP |
LP |
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SYNTH-WAVE / AMBIENT / DOWNTEMPO |
Release: 20 - September - 2024 |
BEL |
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| REPRESS | First Time On Vinyl | |
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Moli
Del Tro will release the new album of the Brussels-based Naomie Klaus album
on the 20th of September. “When forty, I was still wearing miniskirts,
extravagant patterns, pink, ?uorescent colours, star shaped earrings. I
walked around with my leopardskin hat, my fluffy bag, my ?oral outfit, until
the gaze of others made me feel like it was not age appropriate anymore.
Although I am still the same person I was at 16. It's the others I see
changing." There's no better way to describe ageing than through the gap
that arises and continues to grow between physical reality and the specular
image of the self : one deteriorates over time, exposed to the cruel laws of
gravity and oxydation, while the other never ages, remaining intact and
unaltered… frozen in a moment of blissfulness. The more time goes by the more
the gap becomes a separate entity (ou “world” pour etre plus prosaïque). It
can become so painful that many try to escape it, using and abusing every
trickery. “Youth looks so good on you” is a sonic ballad which bizarrely
explores the world that lies between reality and self-fantasy, a world where
the aesthetic cult of youth becomes sovereign to the people. This piece was
produced in 2022 as part of the Festival « Les Heures Sauvages - Nef des
Marges dans l'ombre des certitudes », at the Centre Wallonie-Bruxelles in
Paris. After "A Story of a Global Disease" in 2022, "Youth
looks so good on you" is the second piece of music by Naomie Klaus
released on moli del tro records |
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REKIDS |
TIGER STRIPES - I HEARD IT
THROUGH THE BASSLINE |
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REKIDS249 |
12" |
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HOUSE / DEEP-HOUSE |
Release: 13 - September - 2024 |
GBR |
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Tiger Stripes debuts on Rekids
with ‘I Heard It Through the Bassline’. Stockholm’s Tiger Stripes appears on
Matt Edwards’ Rekids for the first time with the ‘I Heard It Through The
Bassline’ two-tracker. The EP starts with the aptly named title track, defined
by its deeply infectious bass, which propels forward along tight house
grooves and classy gospel vocals. ‘I Heard It Through the Bassline’ is
followed by Tiger Stripes’ ‘Everybody’s Doing It’, a stylish, low-slung
people mover with the air of a vibey, dim-lit establishment or introspective
late-night journey through the city. Strange Idols label founder Tiger
Stripes is a prolific producer, remixer, and DJ who has been active since the
early 2000s. He’s collaborated with artists like Kerri Chandler and Jerome
Sydenham and released music via heavyweight underground imprints, including
Hot Creations, Get Physical, and Sydenham’s Ibadan. Now, he moves the needle
again with the ‘I Heard It Through the Bassline’ EP on Rekids |
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CROWD |
LUC - CROWD # 4: DO AS YOU'RE
TOLD |
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20,61
€ |
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CROWD004 |
12" |
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TECHNO |
Release: 16 - September - 2024 |
DEU |
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The
Label CROWD is back with a new release that's not to miss. CROWD004 is here
and it's packed with four explosive tracks from rising techno star 'Luc'. If
you're looking for the next big sound, this EP delivers in every way. Luc's
unique style is on full display, blending raw energy with cutting-edge rhytms
that are sure to lift up the dancefloor. From the intense opener "I
Don't Get Down Like That" to the commanding "Do As You're
Told," each track hits harder than the other. On the flip side,
"The Cold" takes you deep into a dark, mesmerizing atmosphere
coming with an OG vocal feature, while "Freak" keeps the energy
sky-high, making this 12" heavyweight vinyl an absolute must-have.
Dropping on August 30th, CROWD004 is set to make waves in the techno world.
Whether you're spinning it at a club or vibing out at home, this EP is the
real deal. Don't miss out--pre-order your vinyl now and catch "Do As
You're Told" streaming on all platforms. And for those who want to
experience it live, join us on August 31st at Denver's Club Vinyl, where
FJAAK and Luc will be lighting up the night to celebrate the release! |
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DAME-MUSIC |
BLOODY MARY - ALTERNATE STATES
OF REALITY (SLAM RMX) |
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DAME050 |
12" |
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TECHNO / ACID |
Release: 26 - September - 2024 |
DEU |
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In the ‘ALTERNATE STATES OF
REALITY’ EP, Bloody Mary explores the varying aspects of her acid sound.
Equipped with her TR-909 and x0xb0x, she shows her penchant for hardware,
starting off with ‘REALITY ONE’, in which crunchy drums and crisp highs ride
along a mind-melting acid polyrhythm before ‘REALITY TWO’ opts for a punchy
electro beat, once again drenched in squelch and occasionally soothed by
soft, nostalgic pads. Flipping over the record, the infectious marching drums
of Bloody Mary’s ‘REALITY THREE’ leaves behind the 303 and swaps it out for
rampaging toms below a furious, clap-heavy topline. This party-starting track
is pure rhythm, expertly remixed by Scotland’s Slam, who this time supply the
acid in their version, amplifying the tempo to superb extremes for a hypnotic
warehouse pumper and concluding the monumental fiftieth instalment on one of
techno’s most important labels |
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ILIAN TAPE |
ZENKER BROTHERS - WORKHORSE
SUPPLY |
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IT065 |
12" |
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TECHNO |
Release: 06 - September - 2024 |
DEU |
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Wild Workhorse Power Supply |
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FUTURA RESISTENZA |
SARINE - ASAS TERRENAS |
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26,82
€ |
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RESLP034 |
LP |
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AVANTGARDE / JAZZ / ABSTRACT / EXPERIM. |
Release: 30 - September - 2024 |
BEL |
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Mariano Melo, also known as
Marian Sarine, is a Brazilian multi-instrumentalist based in Sao Paulo,
specialising in percussion and drums. His latest album, Asas Terenas, is his
first under this name and started with organ recordings made with Felipe Pato
in late 2019 and was completed with additional instruments added in the years
that followed. Asas Terenas features a mix of rhythmic improvisations built
on modal scales, combining dynamic interplay between notes and percussion.
Drawing inspiration from artists like Charanjit Singh, who merged traditional
North-Indian ragas with electronic music, and African organists like Hailu
Mergia, it combines old and new sounds, merging spiritual elements with
energetic rhythms. As Sarine himself says, Asas Terenas is a sonic mixture
that moves the feet and lifts the soul, creating an experience that is both
pristine in sound and transcendental on the dancefloor |
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ROOTS |
SPEEDY J - INTERCONTINENTAL |
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16,11
€ |
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ROO001 |
12" |
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TECHNO / ACID / BLEEP |
Release: 07 - October - 2024 |
NLD |
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| REPRESS | Remastered | |
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Remastered reissue of this
seminal EP by Speedy J originally released on Detroit's Plus 8 records.
Taking his inspiration from the early Detroit and Chicago imports that landed
on the Dutch coast in the late 80's Speedy J ended up creating a classic that
innovated and embodied the raw energy of the then still emerging sound of
Techno. After all these years this is the very first repress of this landmark
release! |
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GENOSHA |
THE SILENCE - THE BREAKING OF
THE FIRST SILENCE |
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SILENCE001 |
12" |
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TECHNO / HARD / GABBA / INDUSTRIAL |
Release: 13 - September - 2024 |
NLD |
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| Splattered Vinyl | Sitckered Sleeve | |
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The Silence is back once again to
try and save the industrial scene with two hands tied behind their backs with
more tortured dubstep, industrial hardcore that's just a little too slow,
hard techno and one of those tracks that's just a bunch of kicks |
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precios sujetos a disponibilidad en orígen. se
notificará si hay variación de precio en pedidos recibidos |
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DESCUENTOS
POR VOLUMEN DE COMPRA A 30 DIAS* |
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*unidades
facturadas y cobradas por albarán en un máximo de 30 días desde la primera
referencia reservada |
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5 unidades: |
3% [1,5%] |
entre corchetes |
33 unidades: |
12% [6%] |
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11 unidades: |
5% [2,5%] |
para precios |
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22 unidades: |
9% [4,5%] |
acabados en 5 |
44 unidades: |
15% [7,5%] |
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CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS
DISPONIBLES |
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22aTICO |
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C/ Río Eo, 24 Entlo. |
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27003 Lugo (Spain) |
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(+ 34) 982 246 175 |
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22atico@zoho.eu |
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www.22atico.com |
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